For NaPoWriMo Day 14 the Prompt is: “to write entries for an imaginary dream dictionary. Pick one (or more) of the following words, and write about what it means to dream of these things: Teacup, Hammer, Seagull, Ballet slipper, Shark, Wobbly table, Dentist, and Rowboat. I’m combining with SPF hosted by Alistair Forbes.
Credit: Alistair Forbes
Teacup held in hand, she murmurs vespers,
Ballet slippers lifted, a child’s fond hopes —
A tutu twirled, spun, clouds that gleam and float.
She dreams of diving seagulls, their whispers,
Voices, sharp tongues drill; sharks with winged-flippers,
For NaPoWriMo Day 12, the Prompt is: to “write a haibun that takes in the natural landscape of the place you live. I have to my surprise, never written in this form, so here’s a definition from Haibun– Poets.org:
“Haibun is a poetic form that allows one to answer some of these questions while providing a fresh perspective through a lens that focuses on nature and landscape. Haibun combines a prose poem with a haiku. The haiku usually ends the poem as a sort of whispery and insightful postscript to the prose of the beginning of the poem. Another way of looking at the form is thinking of haibun as . . . a prose poem ending with a meaningful murmur of sorts: a haiku.”
To write about poetry is to believe that there are answers to some of the questions poets ask of their art, or at least that there are reasons for writing it, writes Michael Weigers, editor of the anthology This Art: Poems about Poetry (Copper Canyon Press, 2003).
Past the ravine, the North Saskatchewan flows; ice on her surface where Spring’s murmuring waters compose. The snow floats, sheets of ice crack, confused, the rivers pull bursts through. Amidst howling winds and bitter nights of chill, Spring waltzes in with lilacs. But old-man winter berates with frost, slippery roads, broken sidewalks. Spring blossoms and explodes, to weave the buds that summon bees. Springs drugged words ignored, no lush greenery bursts. Leaves rot, the ice, the snow, the muck, the refuse mushed, derelict without Spring’s blossoms. She hums her tune, an heals Winter’s hacking cough; she pleads her assurance of poppy fields. The old-man shakes his fist with cantankerous growl — another ‘last’ snowstorm grits. The poet composes in metaphorical bliss, avoiding morn’s beams. The question of, “Why?” No matter. The question of, “How can I not?” Words that enthral.
Kyria had been warned since she was a small child, beyond the veil was dangerous. Her older siblings had told her monsters lived there, that there were witches waiting to eat a young child.
What the adults said wasn’t much better. Her Grandma Iris said she’d lose her soul if she was caught in the veil beyond. She talked about shape shifters and immortal creatures of the dark such as vampires and werewolves.
One day hanging the laundry on the line at her grandmothers, Kyria gazed at the veil nearby. She hadn’t thought of it for a long time and she wasn’t sure why it called to her now. She’d never admit she could hear the whispers of the creatures which lived their. They were tempting her and she knew it.
Did everyone in the village see the veil as she did? Kyria believed they had no idea where it physically was, that to them it was was only folklore for children and not a real thing; it was extremely real to Kyria and she knew for her grandmother as well.
Kyria was twenty-four and long past the age of adulthood. Her parents lived together and her siblings with their families. She hadn’t found a suitable man to marry so her father decided she should move in with her ailing Grandmother and care for her. He thought she needed to be of use somewhere since she hadn’t married quickly as her sisters did.
The more Kyria thought about the veil and the mist shrouding it, the more she thought about how she’d never put herself out there in life. She’d always done what she was told and when others failed she was the one who took their place, who filled in so everything went smoothly.
It was how she made up for her so-called “selfishness,” still being single and not having children for her family and village. She wondered why she had never pushed her boundaries and was tired of being ruled by her father’s and her grandmother’s whims.
Kyria loved her Grandma Iris the most because she understood Kyria better than anyone. But her grandma still cautioned her to never cross the veil daily. But grandma was inside sleeping and Kyria heard the whispers from veil more and more these days. They were a sirens call to her.
She ignored all she had been told by her grandma, her family, and her friends as a child. She decided today she would cross the shrouded veil into the other world. Dropping the laundry Kyria walked towards the veil and into the mist surrounding it. The veil shimmered as she came closer and sonorous voice could be heard singing on the other side.
When she reached the line where the spiritual and natural worlds met Kyria stopped for a moment and stood. She smiled and with both hands raised in front of her she was able to feel the mystical energy she was about to pass through.
She stepped into the shimmering fog and breathed deeply. Her long blond hair flew out behind her and it was the last thing her grandmother saw as she watched her granddaughter cross into the other world.
Grandma Iris sighed in frustration but she knew as it had been with her, the veil had been too much of a temptation for Kyria. She knew that adventure and discovery awaited her sheltered granddaughter. As it had been with Iris, the veil and it’s magic was in Kyria’s blood. Grandma Iris was the only one besides Kyria who actually could see the veil, she had made herself guardian of the gateway and hoped Kyria would take over for her one day.
But as the last of Kyria’s blond hair slipped through veil and disappeared, Iris couldn’t help being thrilled for her granddaughter. What awaited Kyria would shape and change her. It would motivate and hurt her, it would be an experience far beyond the scope anyone in the village would ever experience.
Iris blew a kiss towards the veil and whispered a blessing for Kyria. The feelings of excitement in Iris were so intense it was as if it were fifty-years-ago and she herself was crossing the veil.
Tallia anxiously glanced at Teegan who was asleep on her waiting area couch. She was sure Teegan would be angry at her for drugging his coffee, but Tallia didn’t feel she had a choice. Something was off about Teegan and the darkness surrounding him and Tallia didn’t want to make his potion rashly; there could be dire consequences.
She had found one ingredient which was odd, scrawled off to the side of the ingredients and directions for the potion for Teegan in her Aunt Willow’s tome. Apparently, the potion required a giant gold fish. Tallia wasn’t sure why Teegan’s potion would require the gold fish, but it was something she would have to leave the store to buy.
Teegan had told her if he drank his potion the darkness surrounding him, the shadow that caused a sensitive magically inclined person such as Tallia to hurt and feel pain, would leave for a long time. How long was a long time? And how old was Teegan really? To her he looked about thirty-five.
If he was as old as she thought he might be, she knew he might understand the sleeping drought in his coffee, knowing Tallia as a magic shop owner, had to be wary if Teegan’s potion involved dark magic. Tallia had no way of knowing how long he would be asleep from the drought. She had tried calling Jude, the owner of The Black Coven magic store numerous times on his cell.
Jude must be having a brisk business at his store because he or his assistant, never picked-up the store phone either. Jude was about eighty-years-old as best as she could guess. But his family magic shop dated back to the Middle Ages. He had to know something about Teegan and the potion.
Tallia checked on Teegan one more time, she hoped he’d be out another two hours at least. She needed to leave the store buy the giant goldfish as well as visit Jude. Something inside her told Tallia it was vital she gathered as much information she could get on Teegan and his potion before she set about making it.
She drove her Vespa to The Black Coven first. It was located in an ancient, rundown part of town dating back to the 1400’s. But those who needed to visit Jude’s magic shop, knew how to find it. As Tallia’s own magic shop had been with Aunt Willow, Jude’s place was also a hole in the wall.
The streets were narrow here and Tallia knew her Vespa would be more inconspicuous, as well as, she would be able to travel down narrow streets she couldn’t maneuver with her car. There was a bit of parking lot a block down from The Black Coven. Tallia parked, leaving her Vespa in a parking space.
She walked down to the ancient magic shop, opening the creaky old wooden door and removed her side-bag. She had placed her Aunt’s great tome in her bag. She turned the book to the correct page, listing ingredients and directions to make Teegan’s potion in the script Tallia did not recognize.
Then she called out, “Hello Jude, are you there? It’s Tallia, Willow’s niece. I’m sure you felt me coming. Was there a reason you didn’t pick up the phone? Or have you guys been extremely busy today?”
Tallia received no answer. She gazed around the dusty store, it appeared empty.”Um, Jude’s assistant, Aspen, are you here? We’ve never meant, but last time I talked to Jude, he’d said he hired you to take over from him?”
Again Tallia received no reply. She walked around the magic shop. The Black Coven was a mishmash of magical items all stored on old stone and wooden shelves in no particular order or thought to design.
Powerful and dangerous items were among those items which were standard, and pretty harmless magical items. She saw crystal balls, different statues, and a wall with ingredients for potions and spells kept in jars.
She was shocked to see certain items used only for dark sorcery. These items frightened Tallia. She could sense there blackness in her mind. They were much worse than the darkness which followed Teegan — at least she thought so.
Jude had always been grandfatherly to Tallia. She had meant him many times as grew-up. He often had coffee with her Great-Aunt and Aunt. She wondered why he wasn’t answering her. Tallia walked up to the counter where a 1950’s cash register sat in dust. There was a bell and Tallia dinged it a few times.
Eventually, a man about the same age as Teegan came out. He looked Tallia over and before she could say anything he held up his hand.
“We knew you were coming Tallia. It’s alright. Jude hasn’t been well lately and he’s in the hospital. For his age, he has done well until now. It’s why he hired me to handle things. I’m one of his great-grandsons, I’m. . .”
“You’re Aspen. I know, Jude told me about you last time I saw him a few months ago. He attended my shop’s re-opening. I run Fairy Dust.”
“Yes, Jude told me about you. You rang his cell, but he has trouble talking right now my Aunt told me. He had a stroke. I’m sorry I was busy when you called out in here. From what I can glean from you, you’re dealing with some sort of darkness from a client and you need some advice,” Aspen said.
Tallia nodded, “Poor Jude, that’s awful. I’m sorry for your family.” She put the tome in front of Aspen and waited as he read and reread the potion procedure and ingredients.
“These seem to be pretty normal ingredients, except for the large goldfish. But maybe the potion requires it’s life force? I’m not sure what to tell you Tallia. What’s Teegan like?”
Tallia couldn’t help but blush thinking about Teegan.”He’s demanding but seems to be understanding enough. I thought he was about your age, when he first came to my shop. I could feel the shadow emanating from him. It made me sick, especially when he came back the second time.”
“The second time?”
“Well I pretended I was sick the first day, even though he did give me a headache. I went home for the afternoon and I hoped he’d go somewhere else. But the next day he was back. He told me he was old. My Aunt and Great Aunt made him his potion before. He was able to stop me from feeling ill, from hurting me, by chanting a few words,” Tallia said.
“I’m not sure what I’m dealing with, will the potion truly make Teegan well? Will it make such evil leave him?”
Aspen was paying attention to Tallia’s words carefully. She noticed he was concentrating. He wasn’t bad looking himself. He had auburn hair and bright green eyes. He was tall but not as tall as Teegan. He was attractive but more in a nice guy way. Teegan was definitively what women would call a bad boy.
“Well,” Aspen said,”I think your Teegan is cursed. That’s why he needs the potion, quite badly I’m afraid. You really should hurry back and make it for him. We’ve an extra goldfish around here somewhere, we must.”
“Cursed, cursed by what or whom?”
“It’s hard to say Tallia. Jude would know more I think. Even so I believe Teegan is much older than Jude by hundreds of years. I’ve heard whispers of Teegan. He must have done something terrible in the past would be my guess. Something awful enough to warrant being cursed to live so long and to require a potion.”
Tallia sighed, letting out her breath.
“I have a feeling if he doesn’t get this tonic, he’ll be a resistant foe to deal with Tallia. There’s a reason he takes it. I doubt he wants to be who he is when he’s dark. He wants to be normal and this potion allows him to be.”
“You know all this?” Tallia questioned. “How did you know?”
Aspen smiled mysteriously, “There’s things I’ve heard Tallia. Also, I can read through you, what you felt around Teegan. I can feel his presence too, so could Jude; he’s a powerful guy. Go back and make his potion quickly. He’ll be awake soon.”
“But . . .”
“Tallia, such as you and many other magically inclined people, I have a sixth-sense. That’s how I know these things.You have one too, although less developed. It’s telling you to go back to Fairy Dust and hurry.”
Her blue eyes became huge and Tallia nodded mutely. Aspen handed Tallia a bag with the giant goldfish.”On the house,” he said with a grin. She wondered how they had this giant goldfish just lying around. It wasn’t a typical magical ingredient.
Tallia called back to Aspen lightly,”Stop by come check-out my store some time; have coffee.” He walked her to the door and Tallia stuffed the tome back in her side bag.
“I’d like that,” Aspen said grinning. He winked at Tallia as she left. She was deep in thought and was surprised to find herself getting onto her Vespa, placing the fish on the back of it.
She told herself to payattention and hurriedly drove back to Fairy Dust. Tallia too felt she needed to make Teegan his potion and fast. She prayed he wouldn’t be angry with her or worse. With such darkness within him, she didn’t want to be an object of Teegan’s wrath.
The Mirror Sestet, created by Shelley A. Cephas, is a poem that can be written in one or more stanzas of 6 lines each. The specific guidelines for this form are as follows:
The first word of line 1 rhymes with the last word of line 1.
The first word of line 2 is the last word of line 1
and the last word of line 2 is the 1st word of line 1.
The first word of line 3 rhymes with the last word of line 3.
The first word of line 4 is the last word of line 3
and the last word of line 4 is the 1st word of line 3.
The first word of line 5 rhymes with the last word of line 5.
The first word of line 6 is the last word of line 5
and the last word of line 6 is the 1st word of line 5.
The Mirror Sestet can also be written in non-rhyme.
All rules must be followed except there is no 1st and last word rhyming.