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Robert Frost’s “The Mending Wall” and Current Political Significance in the US and the World.


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Since the beginning of the campaign in the US for the final Republican and Democratic nominees, I haven’t been able to get this poem out of my head. Perhaps I had such a wonderful professor for American Poetry that Robert Frost’s “The Mending Wall,” made such an impression on me.

Thirteen years after I’ve graduated, I still think about this poem and what wisdom Frost imparts to people in his own time and ours. Mainly he suggests his poem is less about literal walls or fences, but about how neighbors should treat each other. Whether you’ve read the poem or not, you may find certain correlations between Frost’s poem and the current political situation in the US.

I think the biggest issue Frost’s poem highlights is why we build walls in the first place. The line at the beginning of the poem: “Something there is that doesn’t love a wall,” implies not all of us enjoy having walls between us and our neighbors (1). Frost isn’t merely talking about physical walls or fences but about the walls that exist in relationships between people.

It’s practical and helpful for to us to avoid petty arguments by having physical fences around our yards. But Frost suggests in “The Mending Wall,” it is not helpful at all, to have walls and distance between people and their relationships with one another. This can cause large rifts between people when they don’t agree or share a similar opinion. Communication and negotiation need to be encouraged, instead of building bigger walls. We forget many other people in this world are the same as us, going through similar trials. It doesn’t matter their religion or ethnicity, we’re all human.

Open communication and friendly communication is a necessary key to life. While physically we may have to “set the wall between us once again,” or have certain boundaries, I don’t recall stone walls every setting to right differences of opinion or thought (14). We can’t stop talking because we don’t agree, reaching for the best compromise available is vital.

Erecting a wall between the US and Mexico will affect US relationships with other nations, not only Mexico. It also makes the US government appear isolationist. Moreover, it affects other countries who would think it was okay to support their own selfish ideologies which are not democratic.

Isolationist countries and governments do not prosper in themselves or in helping their citizens prosper. In today’s world it is critical for us all to have open communication and at times compromise and not always get ‘our own way’ with other countries for the good of all; the current US government goes against this globalized view. Trump stands for himself and if you’re a lucky American who supports a view he does, he might stand for you too. But it’s not something I would count on in a person who is extremely unpredictable.

In Frost’s poem, the lines: “There where it is we do not need the wall: / He is all pine and I am apple orchard. / My apple trees will never get across / [and] eat the cones under his pines, I tell him,” show the utter absurdity of having such a thick solid wall between the narrator and his neighbor (23-27). Frost’s point in these lines is if the speaker and his neighbor acted neighborly, they wouldn’t require a fence between them. It’s absurd to have a wall between them because the narrator’s apples don’t eat his neighbor’s pine cones and vice versa. The neighbor lacks insight into the situation.

He is similar to Trump who wants a wall between the US and Mexico beyond the border which already exists. Trump is akin to the neighbor insisting ” . . . good fences make good neighbors.” Truly walls break down relations between people and invite people to spew hatred and feel they are entitled to act badly and Trump’s actions are encouraging this behavior (27). People have choices to act how their conscience tells them, but when the government decides on input-less actions that destroy relations with other parts of the world and with US citizens, this government is self-serving.

Frost’s speaker also wonders about this wall he and his neighbor always fix in spring. He asks “. . . why do [fences] make good neighbors . . . ” commenting that “[before] I built a wall I’d ask to know / [what] I was walling in or walling out, / [and] to whom I was like to offense” (32-34). For me, these lines are shockingly apt in current US politics.

In Robert Frost’s poem “The Mending Wall,” the wall is not only a physical wall/fence it’s symbolic of relations between neighbors and metaphorical walls between people, in a broader sense, all sovereign nations. Trump insists on building a wall because it will wall out drugs from entering the US. He also believes he is keeping out illegal immigrates as well as crime. I think Frost would say, Trump is missing the bigger picture.

To my knowledge, Obama never had outstanding issues with Mexico. Most of us are aware of the drugs going back and forth across the border from Mexico and the people who want to leave Mexico for a better life. I would argue as many have, one way or another, the immigrants who want to get through are going to find a way through.

We also know for a fact, there are already tunnels to bring drugs into the US. If Trump wants to stop drug cartels from selling drugs, maybe he should focus on his own citizens involved in the purchase and selling of drugs. If you take away the market, perhaps you stop drug trafficking; however, my hunch is if Mexico sells fewer drugs, those who want or need drugs, will find another source.

Additionally, Frost’s line about giving “offense” is relatable to Trump not caring what Mexico thinks about the wall (34). He wants to make them pay for it and he doesn’t care that their President refused. He offended Mexico and its citizens; hopefully, he doesn’t plan on vacationing there anytime soon as many US citizens like to do. He’s going to make it difficult for US citizens wanting to vacation in Mexico and other places around the world in general. I’ve meant many wonderful American citizens on vacations but I know there are places where they still have to wear a Canadain flag on their outfit, so they are not thought be Americans. I would hate for this to be worse because of current affairs.

He’s going to make it difficult for US citizens wanting to vacation in Mexico and other places around the world in general. I’ve met many wonderful American citizens on vacations but I know there are places where they still have to wear a Canadain flag on their outfit, so they are not thought be Americans because it would be dangerous to them or their cash supply. I would hate for this to be worse because of current affairs in the US.

As well, Trump offended the Mexican President who refused to visit the US after Trump announced the wall. He’s set back relations with his physical and symbolic wall with Mexico. I believe US dealings with other countries will suffer setbacks as well because I think other nations will see US actions and be less inclined to trust their government and Trump.

The most curious part to me is how one man can destroy relations with other countries around the word so quickly through his lack of diplomacy and unwillingness to cooperate. I don’t want the US, Canada, or anywhere to be larger targets for radical terrorists or desperate criminals because Trump is blocking people from migrating to the US from the Middle East. Many people there are like us, regular people who don’t deserve to be labeled terrorists due to their religion. Some of those people require help due to actual terrorists such as ISIS, who are making it difficult for them to meet their basic needs.

Frost also writes in his poem about those who don’t love walls and would like them down. His narrator sees no need for the wall and thinks he could tell his neighbor, “‘I could say “Elves” to him, / [but] it’s not elves exactly, and I’d rather / [he] said it for himself (35 – 38). Frost implies the neighbor needs to recognize for himself and ‘say’ for himself, that the physical and metaphorical wall between them is absurd. 

I think the same principles apply to Trump and his wall. The wall is a thoughtless law as well as the symbolic breaking down of US relations with other countries such as Mexico and realistically, several others. The current US President won’t ever admit he is wrong.

In the end, I find the situation with Trump and the US government much the same as Frost describes the neighbour in his poem: “In each hand, like an old-stone savage armed./ He moves in darkness as it seems to me, / [not] of woods only and the shade of trees (40 – 42). To the narrator of Frost’s poem, rebuilding the wall between his neighbour and him is a game.

He even wonders if he could put “a notion” in his neighbours head and say “[elves]” made the stones fall out of place (29,37). But to the neighbour such as the US government, this is no game. While the rest of us mock Trump and have “mischief” in us as we read daily what Trump’s decided to do now, we are also somewhat afraid.

Trump walks around as Frost’s speaker’s neighbor, “an old-stone savage armed . . . [moving] in darkness . . . (40-41). This darkness is as an ignorance and not only of “woods . . . and the shade of trees (42).” I cannot imagine all the duties a President has; however, I do know about starting a new job as I’m sure many people can relate to.

Often, it is best to let things be done the way they have been done, to learn the experience and the wisdom behind the methods people use currently, before implementing massive change. At times, we think our own way of doing something is better. Then one day it hits us why something was done a certain way, how much easier it is to keep doing it that particular way. Once you learn how things are done, then changes can be implemented with reason and with experience behind that reasoning.

With US relations with its own citizens and the citizens of the world, we can only hope Trump ends his walk in darkness and ignorance. Perhaps one day he will step into the light and see why past Presidents acted how they did in certain matters? That he was elected by citizens and speaks and acts for them.

It’s my hope he searches beyond his own experience, what he’s been able to do freely as wealthy and powerful man. I hope he listens to the people who elected him and acts with discernment, that he learns to think before he acts. One encouraging thing about Trump I did hear was his admiration of Winston Churchill.

In conclusion, Frost calls his poem “The Mending Wall” because he hopes each year relations with his neighbour will improve, that eventually they won’t need a wall between them. Can we hope this much of the new US government? That they will not build walls to isolate their country? That they will not only think about themselves in this diverse, multicultural, and globalized world? I hope so. I’d hope Trump eventually learns to mend relations with his neighbours and not to snub them or God forbid, cause war. I hope he learns to see beyond the saying, ” . . . [good] fences make good neighbours” (45).


The Mending Wall

By Robert Frost

*****
1. Something there is that doesn’t love a wall,

2. That sends the frozen-ground-swell under it,
3. And spills the upper boulders in the sun;

4. And makes gaps even two can pass abreast.

5. The work of hunters is another thing:

6. I have come after them and made repair

7. Where they have left not one stone on a stone,

8. But they would have the rabbit out of hiding,

9. To please the yelping dogs. The gaps I mean,

10. No one has seen them made or heard them made,

11. But at spring mending-time we find them there.

12. I let my neighbour know beyond the hill;

13. And on a day we meet to walk the line

14. And set the wall between us once again.

15. We keep the wall between us as we go.

16. To each the boulders that have fallen to each.

17. And some are loaves and some so nearly balls

18. We have to use a spell to make them balance:

19. “Stay where you are until our backs are turned!”

20. We wear our fingers rough with handling them.

21. Oh, just another kind of out-door game,

22. One on a side. It comes to little more:

23. There where it is we do not need the wall:

24. He is all pine and I am apple orchard.

25. My apple trees will never get across

26. And eat the cones under his pines, I tell him.

27. He only says, “Good fences make good neighbours.”

28. Spring is the mischief in me, and I wonder

29. If I could put a notion in his head:

30. “Why do they make good neighbours? Isn’t it

31. Where there are cows? But here there are no cows.

32. Before I built a wall I’d ask to know

33. What I was walling in or walling out,

34. And to whom I was like to give offence.

35. Something there is that doesn’t love a wall,

36. That wants it down.” I could say “Elves” to him,

37. But it’s not elves exactly, and I’d rather

38. He said it for himself. I see him there

39. Bringing a stone grasped firmly by the top

40. In each hand, like an old-stone savage armed.

41.He moves in darkness as it seems to me,

42. Not of woods only and the shade of trees.

43. He will not go behind his father’s saying,

44. And he likes having thought of it so well

45. He says again, “Good fences make good neighbours.”

*****


See Poetry Foundation: The Mending Wall by Robert Frost.


©Mandibelle16. (2017) All Rights Reserved.

My Thoughts, Nature, Nonfiction, Pinterest, Quotes, Three Line Tales, Writing, Writing Challenges

Three Line Tales: Words Of Daisies #3Linetales #quotes #pinterest #goodreads


Thanks to Sonya of Only 100 Words for hosting #3LineTales.

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“Behold

the azure sea in front of you,

the turquoise sky above you,

the amber mountain beneath your feet,

and the golden daisy in your hands.

How are you not the richest person on earth?” 

― Khang Kijarro Nguyen (Good Reads) 

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2. 

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3. 

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©Mandibelle16. (2016) All Rights Reserved. 

Fiction, My Thoughts, Relationship, Short Stories And Serial Stories, Works Published, Writing

Fiction: It Began In An Elevator #fiction #amwriting #elevators 


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It began in an elevator. One of those unexpected moments which occur in life. You were gazing at me and I looked up at you transfixed; there was a sparkle in your blue eyes. 
As the elevator went higher, the people emptied out onto their respective floors. Eventually, we were alone. 

I felt my breathing quicken and could hear your breath speed up beside me. I listened to you breath, in and out, desire for you rushing through my veins. 

There had been a meter between us in the elevator, now you somehow were right beside me. I could smell your cologne: ocean, vanilla, and a note of something sweet. 

I felt your eyes peering down at me, inspecting me from head to toe. The mirrors around the elevator reflected my image: Shiny black booties, polk-a-dot hose, a black A-line skirt, and a hot-pink sleeveless blouse. Makeup lightly done, eyes bare except for mascara and black eyeliner, and pink lipstick. My light blond hair was braided, stray hairs framing my face.

You saw me, catching you giving me the once over and you smiled genuinly, daring me to look you over. My eyes discovered your form: tall, and lithely muscled, wearing a navy pin-stripped suit, grey dress shirt, and a grey-blue tie. The tie matched your blue eyes exactly and your face was freshly shaved with a defined jaw; your brown hair curled slightly at your collar.

I blushed, staring at my booties, comparing them to your designer shoes. It felt as if the  elevator wasn’t moving at all, or maybe time was standing still.

 “You look pretty,” you told me. Your voice deep and a bit husky. “I like your perfume, it’s floral but not overwhelming; it smells delicious.” You gave me a devasting smile and I nearly swooned.

Instead, I gathered my wits and smiled back at you, blushing again.”I like your navy suit,” I stammered. “The blue, blue of the tie and the navy of the suit, it matches your eyes. And your cologne, it smells wonderful.” 

I couldn’t believe what I said. I saw you grinning at me from the corner of my eye as I stared shyly down at my boots.  It wasn’t normal for me to be so nervous, my heart beat so furiously. 

You tipped my chin up to better look me in the eye.

“The elevator.It’s not moving,” I said.

You chuckled, “I made it stop. If only for a moment or two.”

“Why?” 

But then, your lips touched mine. Soft and questing at first. Gently, coaxing my month open, until your tongue danced inside. Rubbing and sucking on my tongue, causing me to sigh and fall against you.

I returned your kiss grabbing the lapels of your jacket, kissing you harder, wanting more of you, of your magic taste, your delicious mouth all over my skin. Your arms came around my body, holding me close.

Suddenly, the elevator started moving up again. We both pulled back from each other panting. 

“Why did it start again?” I asked. 

You gazed at me with your intense blue eyes, still gathering yourself.  “I’m not sure. You have to have high-clearance to make the elevator start and stop. I didn’t make the elevator move again. Believe me!” 

Before we could say more, a beautiful woman with dark hair, walked into the elevator on the twenty-sixth floor. The woman smiled at as both, not oblivious to what had gone on between us minutes before.

“You have lipstick on your face, darling,” she said to you. Your face went pale and you tried to speak but the woman only laughed at you.”Don’t say a thing, you do this all time. But I’m your wife and I know, you’ll always come back to me.” 

Your wife exited at the top most floor and you gave me a longing gaze, whispering: “I’m sorry.” In only a few minutes, you broke my heart.  

——-

What is it about elevators? I wondered later. My recent experience with you made me think of many TV shows and movies, where elevators have great symbolic and/or metaphorical value.
Elevators are the place for the beginnings of trysts and romances, as I had hoped today would be. They are the places stopped for people to reveal truths and secrets. They are a place where the everyday manners and values are quickly forgotten. Elevators can even be symbolic of life and death.

Today, I felt cheated. I thought the elevator was our beginning. In reality, I had been caught in the middle of some rotting relationship. You were extremely deceitful and right now, I can’t forgive you for what you did. Your lies have killed my attraction to you.

 So much so, on Monday when I see you get in an elevator, I will wait for the next elevator going up to arrive. I know you’ll notice, it’s exactly what I hope. 

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©Mandibelle16. (2016) All Rights Reserved.