Thanks to MindLoveMisery’s Menagerie for hosting this writing prompt to choose a title to write a poem or story about. I chose the title The Silver Violin. I’m combining prompts with a #dVerse prompt on a topic of our choice. Thanks to Bodhirose for hosting open link night.
“Stenham house was an ancient locked thing and nothing returned there except for crows.”
Lost in the forest Marybeth was charmed by the crumbling facade of the ancient mansion. She wondered what the house looked like on the inside as she slipped through the rungs of a creaky black gate.
“What’r you doin’ here, Marybeth?” her older brother Winston cried, grabbing her by the shoulders and shaking her.
“Mom’s worried. Said you’d been out so long she was ‘fraid you were lost in the woods for good. You know you’re too young to be out here alone.”
“What’s in there?” Marybeth asked Winston pointing to Stenham house.
” You don’t want ta go there, ” Winston said matter-of-factly. “Tommy Johnson went in there and never came out the same. He’s a touched now.”
“Well he still lives in the neighborhood,” Marybeth argued. “I see him at school. He doesn’t play with the other kids much but sits in a corner and reads. There’s nothing wrong with that. What happened in that house?”
Winston shook his head, “You’ll have nightmares Marybeth, I can’t tell you. Mom’ll kill me.”
“S’okay I’m a big girl now. I’m seven. I can handle it.”
Winston sighed,”They say a family was murdered there. An axe murder came in and hacked them all to pieces. Grandma, Grandpa, the parents, and worst of all the children. There were four of them and the oldest was eleven.”
Marybeth gasped, “That’s bad. I saw the curtains moving I think someone still lives there.”
“There was a fifth child, he was a tot. The nanny hid him but was butchered herself. Even though the little guy was adopted, he always woke up with nightmares about the murder, even as an adult,” Winston whispered.
” He lives there now, I think.”
“He decide to live there when he ‘came an adult. It was the only way he could face his demons. That’s what Aunt Sally told me.”
“Does Aunt Sally know him?”
“Yeah, they were in the same grade.”
Suddenly the front door to the delapitated house flew upon. Winston and Marybeth saw a gaunt middle aged man standing at the entrance. He motioned them over but then the crows began to fly and circle around the children, diving at them and pecking them when they tried to reach out to the man.
Marybeth screamed batting at crows as she ran all the way back home to the safety of her mother’s arms. Winston followed his sister, his screams even more terrified.
He swore to his sister, later, he saw the man at the door to Stenham mansion disappear into thin air. Marybeth believed him and decided to stay away from Stenhem house until she was older and wiser.
“Yes,” she said exasperated. “You know I’m always forgetting it, losing it, or damaging it permanently. Phones don’t like me.”
“I’ve known you twelve years and I’m pretty sure you’ve gone through more than twelve phones.”
Gillian starts to laugh. “Yeah, so true. My Dad would get so upset at me in university. I think I broke like six cell phones.”
I laugh at her memories. “One time you lost your new phone down the sewer. You were crying because you were drunk and wanted to go back for your phone. Melissa and I kept telling you it was gone.”
“Really? I don’t remember that?”
“You wouldn’t,” I tell Gillian giggling. “I had to physically pick you up and place you in the cab. I told the cab driver to ignore your pleas to go back to the bar and I half carried you into Melissa’s apartment where you passed out.”
Gillian giggled, “Those were crazy times. Thank goodness my phone is just on the kitchen counter, not in the sewer.”
Today’s NaPoWriMo prompt is to recreate a myth in a poem. The A to Z Challenge quote from GoodReads has an author with a P in their name. Also, thank you to Bikurgurl for hosting last week’s #100WordWednesday.
” I moan with pleasure.
“Did you just have a foodgasm?” he asks, wiping ricotta from his lips.
“Where have you been all my life?” I ask the beautiful panini.”
― Stephanie Perkins, Anna and the French Kiss
There are those who believe the Greek gods left,
Went away, didn’t return, disappeared.
Where there was greed, pride, avarice, lust, and war,
There was no longer, because these gods were,
Never gods, more like spoiled children who were —
Tolerated for a while until the —
God who is the God, decide that they,
Need find another place to play, beyond —
Olympus, and Athens, and Rome — and then,
Came the Popes and the Cardinals, more sin.
They had always been there, but now they —
We’re warriors and wise men, judges and —
The Greco-Roman gods and goddesses,
We’re invisible, ethereal, just air.
It’s what becomes of beings that ‘are,’
But aren’t real, they’re missing a certain —
Quality that means that in some form they’re —
Alive; full of heart, blood, bone, marrow, soul.
But these gods were but mythology so they,
Faded as much mythology does.
Legends of all kinds and all cultures who
Have been, before and after them, or so —
I was told, ’til I began to see such surreal —
Things in town, at dinner talking with —
My dad, about life, and school and then,
Beside us was this old man; and his eyes,
We’re blue and twinkled, he had such,
Vigor for his age, he smiled at me while he —
Talked to his friends, other gods he said.
Not the God, but gods, he said who had been,
To me they were all invisible; he said —
Long ago in Greece and Rome, he was king.
As Zeus or Jupiter, but now they —
All blended into humans, they had their —
Special places where they could go, greeting —
Their old friends and eating what gods do.
He ate panini, talking loudly,
Today it was Aphrodite, he also —
Said he was eating Ambrosia, the food,
Gods required, and an extra plate lay,
Near his hand, licked clean; he said that his son,
Today’s NaPoWriMo prompt is to ” take your inspiration, like our featured interviewee did in the chapbook she co-authored with Ross Gay, from the act of letter-writing. Your poem can be in the form of a letter to a person, place, or thing, or in the form of a back-and-forth correspondence.” The A to Z Challenge letter is O for GoodRead’s quotes and I’m combing these prompts with Roger Shipp’s FFftPP.
“These bits of paper are covered with lies. They poison your minds. And so long as they exist, you cannot hope to see the world as it truly is.(…)You turn to them for answers and salvation. (…) You rely more upon them than upon yourselves. This makes you weak and stupid. You trust in words. Drops of ink. Do you ever stop to think of who put them there? Or why? No. You simply accept their words without question. And what if those words speak falsely, as they often do? This is dangerous.”
― Oliver Bowden, Assassin’s Creed: The Secret Crusade
“A Ghazal is a poem that is made up like an odd numbered chain of couplets, where each couplet is an independent poem. It should be natural to put a comma at the end of the first line. The Ghazal has a refrain of one to three words that repeat, and an inline rhyme that preceedes the refrain. Lines 1 and 2, then every second line, has this refrain and inline rhyme, and the last couplet should refer to the authors pen-name… The rhyming scheme is AA bA cA dA eA etc.”
“And though I came to forget or regret all I have ever done, yet I would remember that once I saw the dragons aloft on the wind at sunset above the western isles; and I would be content.” ― Ursula K. Le Guin, The Farthest Shore
The dragon boats arrive, the sea pulling them into shore,
Watching remotely from a distance, will he be on shore?
For many months they wandered, the boat their prized shelter,
Now they are home, the boat still floats, they’re at the shore.
I’m afraid to see them, brothers, their friends, so dear to me changed,
I wave, my kin they come forward their eyes remote, onto shore.
They’re gaunt, they’re battle worn, they need food, steaming hot baths to soothe,
Once they settle, they talk, thick coats warm them on the shore.
My brothers, my childhood friends, have lost part of themselves,
On the ocean suffered, in baren lands they smote on the cold shore.
They’ve treasures, furs, they’ve jewels, silver, gold — they lost their life spark,
Gazing at my love, his face coated in grime, eyes dead on shore.
The days pass by, the village returns to normal almost,
Except the men who left; returned forever remote to shore.
I talk to him, I talk to my brothers, hearing how each piece,
Of their self died, no matter we doated on them on shore.
Time passes, I think I’m seeing things when his eyes alter,
Warmth returns, he takes my hand, away from the boat on shore.