Thanks to Michael of MindLoveMisery’s Menagerie for hosting this week’s Tale Weaver prompt which is based on the sunrise which is the “start of a new day, an indicator of the day ahead. [P]ink sunrise can mean a hot day coming, a new start in life, it represent hope and new possibilities.”
Oh light of hope at this hour dawning,
Behind us leaving the dark nightdreaming.
Dawn swooshes in and the day has purpose.
Hope our savior never hides as a ‘con.’
The night never remains, new dayleaning,
Providing the world, thrilling light concurs.
Let not night’s dark thoughts in your mind prefer,
Coastal style interior design can be defined diversely depending on where a person lives in the world. The Tropical coastal style emerged from “Hawaii, Polynesia, and many places near the Pacific” Ocean. It is decor style that is popular in homes across the world. Tropical coastal style, also known as ‘Island style,’ usually “reflects the customs, colors, and beliefs of a place’s native peoples” such as in the Hawaiian islands. “Bright, tropical patterns, natural elements such as teak and other woods, and cultural and nautical decor,” define this coastal style.
Moreover, Mediterranean Coastal style, in particular, is a home decor style with history going back for centuries. It has been used and adapted all the world but especially is found where it originated in Greece, as well as coastal towns in Spain and Italy. Mediaterrian coastal style includes a great deal of natural light, brilliant “sunbaked colors” with “terra cotta, heavy woods, black iron or metals, and carved detailing.”
American coastal style or Florida style (which I am discussing in this post) is about “relaxation and comfort,” at it’s core. It is currently, “one of the most popular decorating styles” in the U.S and in Canada and is also “quickly growing and branching” out into “sub-styles such as ‘Cottage Coastal style,’ and ‘Contemporary Coastal style.'” American coastal style as a whole may include aspects from these branches.
Florida style incorporates clean lines and materials that are natural with simple textures. A neutral background including smooth steel, wood, and woven materials are also key to achieving this look. Textiles and surface materials used in coastal style are durable and include colors such as “clear blues, sea greens, creamy whites, beiges,” other tints and shades of white and even soft gray. While coastal style homes are usually warm and relaxed some people do prefer a cooler color pallet.
My preference for both paint colors and major living room furniture, especially pieces such as couches or large comfy chairs, would be to choose neutral colors in durable fabrics as a background for more colorful decor. Neutral furniture works well for indoor or outdoor living areas as brighter colours can always be added through decorative pillows, nautical or sea themed objects, (etc).
As well, paint colors could be a warm antique white or a clearer nautical white. Subtle tints of blue, sea green, and coral would also work well for paint colors that provide a soothing feeling as if you were in an elegant but comfortable cottage.
I have always found shades of light blue, turquoise, and soft green to be luxurious and peaceful so it is not surprising that these colors are especially found in coastal design. Despite the lakeside or seaside cottage ambience, this style is also uncluttered and decorative pieces and textures should be chosen carefully. As well, if colors of the sea in light blues and greens against neutrals are not your cup of tea, coral shades and tints can create an interesting Florida design style with a more brightness.
As well, coastal style often includes prints stripes and patterns that can be bold and large, based around navel and seaside themes as well as items synonymous with Florida, and other cottage decor. As in any living room or seating area, a chair or two that contrasts against neutral colors is key outside or inside. As well, decorative pillows in a range of the color pallet can provide a room with more vivacity, texture, and key focal points. A blue or gray rug on the floor can also add subtle color and pattern. Rugs in sand shades with a beachy texture like a beach mat or some a courser material are wonderful too.
My own preference for larger pieces of furniture in the Florida style that aren’t coaches or chairs but actual wooden furniture, leans towards restored furniture or furniture that has the appearance of being restored. Colorful light blue and turquoise mid-century furniture made out of natural wood can pop against neutral walls and couches.
If you prefer, beach-like drift wood furniture works well and as does worn looking dark wood. Considering the flooring of a coastal home would also be important to determine what kind of larger cabinets, tables, (etc)., a person would choose. A darker stained wood floor for contrast with neutral walls would be anchoring. But a lighter floor that is more like a ‘sea worn’ wood would keep your home more peaceful. I enjoy painted wood furniture that has been repurposed or has that appearance myself, with darker wood floors.
Moreover, focal points or places that draw the eye to them can be created with statement art, special furniture pieces, and carefully chosen decorative ornaments. As well, nautical and beach accents such as shells, coral, sea creatures, and sea or cottage themed paintings or artwork, brighten up the laid back coastal style. I’ll note again that an uncluttered appearance is key to the style so no hoarding ornaments or decorative items and placing them everywhere. A refined cottage style retaining a tranquil and relaxing environment with an elegant sense of design is the vital. Pops of color here and there are important; however, because they help to avoid manotomy and to provide visual appeal.
Light through large windows is also significant in the contemporary coastal look because we want to keep a house bright and airy so if you are designing a home or looking for a home to decorate in the Florida style, large windows would be a wise investment. Not to mention, new windows will save you money on your power and heating bills in places where the weather becomes colder.
As well, sufficient indoor lighting is beneficial to creating the perfect ambiance. A mix of elegant metal and nautical inspired chandeliers over the dining table and in various rooms, contrast with the laid back Florida or coastal style. Table lamps for lights near chairs to read as well as to provide more lighting at night are also essential.
When designing a coastal themed kitchen it is important to keep things light and airy, carrying in color schemes from other rooms in the house. The kitchen should feel open while maintaining a coastal themed color pallet such as light blue, coral, ocean-like colors, or nautical themed hues.
White or off-white is a great choice for cupboards perhaps some with some glass in the cupboard doors. Also kitchen paint colors in light tints of blue, green, coral, in sand, and white or off-white keep a room neutral in the background.
As well, having a kitchen bar enhances the refined cottage look providing a casual place eat, but also to incorporate bright pops of color on the bar stools or on the bar top. A backsplash is also a vital place to play around with brighter shades of light blue, turquoise, navy, or coral. Perhaps only certain tiles could be vivid acting as accents in the kitchen or in a bathroom.
As well, curtains or shades in the kitchen and everywhere in the house, can contribute to having a light airy feeling through out. Curtains should not be too heavy or dark but in lighter shades or tints of the colour scheme. Sheer curtains, cotton-like, or fabrics reminiscent of nautical sails and or other nautical materials, all contribute to the coastal style.
Also, a similar design in the kitchen can be followed in places such as the bathroom and laundry room, incorporating coastal colors, textures, and tones while keeping most of the space neutral. Remembers pops of color or accents are essential in neutral spaces but should not be overdone.
Florida or coastal themed bedrooms share similarities with the other rooms in the house creating more continuity of style. The key if you are decorating your entire home in coastal style is to keep the flow from room to room without overdoing the trend. Oceanlike, comfortable, and calm surrounding are essential to recreating the effect of the luxury or a refined cottage theme for the Florida style in your own home. Bedrooms in particular should be cozy, comfortable, yet stylish.
All in all the coastal or Florida style throughout a home should keep a color palette in mind, think about flow, and how certain Colorado and hues blend with each other and neutral walls and bigger pieces of furniture. As a whole coastal style seeks to be a place people can return home to and feel at rest as if they can relax and forget about their day in their own place of a seaside haven.
Whether you prefer coastal decor or the the use of tropical vibrant colors, you can find inspiration by checking out Florida real estate for more ideas of how to bring an outdoor feeling into your home.
Today’s NaPoWriMo prompt is to write about wondering what “future archaeologists, whether human or from an alien civilization, will make of us . . . exploring a particular object or place from the point of view of some far-off, future scientist.” Thanks to Michael of last week’s Tale Weavers from MindLoveMisery’s Menagerie who provided a prompt about the moon. As well for A to Z Challenge for a GoodRead’s quote the letter today is the letter W.
” . . . All that is now / [a]ll that is gone/ [a]ll that’s to come / and everything under the sun is in tune/ but the sun is eclipsed by the moon.
“There is no dark side of the moon really. Matter of fact it’s all dark.” — Roger Waters
Gazing into the future, ‘neath a pale moon gleaming bright,
Hard to believe, people who were, saw the same moon’s shining light.
They had houses, electricity.
So many ethnicities.
It’s different now, the gene pool changed,
Those who look unique all estranged.
All look like us, all brown eyes, dark hair, and medium skin too.
I can scarce picture blond, red-haired, green eyes, or eyes so blue.
Genetic defects they called them, so now we’re all plain, the same,
It’s weird to think, they dyed their hair, all colors, none went gray.
How was it to be individual,
Not for the whole good — sacrificial.
What makes a person now is,
Incredibly different knowing this —
Society of people who fell as those before left their cities,
Frames of what once was, rusted metal, not all that pretty.
Their language full of slang, we cannot pin down lingiustics,
Cannot find words, spoken globally, their lyrics I sing.
But their music is strange, listened —
To some and our technology it fits.
Technology they had weird, but we —
Discover strange things, sound gleaned.
Words not understandable but melodies clear and bright,
Music is forbidden, I sing in secrecy to ancient tunes light.
Some days we watch their stories, their films, when the moon is round.
My favorite days, those brilliant plays, words with lovely sound.
And we find little toys, scrapbooks, phones,
While in the distance the guns drone.
Each man, each woman a soldier,
Controlled by who knows? With no souls.
No hope as those gone far ago had, of a war ending soon,
Gazing into the future, we lived under the same moon.
Today’s NaPoWriMo prompt is a “challenge you to write a poem that explores a small, defined space.” For A to Z Challenge the GoodRead’s Quote author has a name beginning with letter V. Im going two work in the Prompt from MindLoveMisery’s Menagerie Prompt from last week of a letter to death
It is nothing to die. It is frightful not to live.” ― Victor Hugo, Les Misérables
Thanks to Bikurgurl for hosting last week’s #100WordWednesday flashfiction prompt. Today’s NaPoWriMo prompt is “to write a poem of ekphrasis — that is, a poem inspired by a work of art.” The A to Z Challenge GoodRead’s Prompt begins with the letter U.
“To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat— some because they use visible and hence vital formulas, others because they live from human life itself.
― Fernando Pessoa, The Book of Disquiet”
(Sorry finding a Q name for this piece impossible but there is Q in Disquiet!)
The photograph is lovely at first,
A brilliant blue sky, soft winds of cool breezes,
The Atlantic still icy, but forgiving.
Trees rise and guard the home, the lighthouse,
Ancient ones in slumber as spring yet approaches.
Rock walls prevent a fall below, to the unforgiving chill.
Hypothermia comes quickly here,
But the scenery makes up for the inherent danger.
Bright pink of the house stands out and the tower above matches,
Glows in the night when the boats pass by,
Protecting and guiding ships.
The long grass still waiting to be verdent,
Not dry crumpled straw.
And the owners of the house are silent, keeping to themselves,
Their only sense of existing, is the light that glares, when outside the tower is dark.
Spring is slowly birthing, but the ocean’s still freezing,
And the danger is too real for ships too close.
And a stranger walking watches from the dim,
Holding back a dog barking in madness.
The bulb has burnt out, now disaster is unhinged,
The ship clips the cliff, the house crumbles and the ship sinks,
Screams in the night, in the Atlantic’ waters cold numbness.
And when all is said and done, only the lighthouse stands,
With a burnt out bulb of fault.
How can this photograph be a work of art?
Is there art in dying?
Or is art and death as a perception, to ambigious to be real?
Thanks to Dylan of MindLoveMisery’s Menagerie‘a First Line Friday Prompt. The first line from last Friday was: “I’m going to tell you how I lost my inheritance.” For NaPoWriMo the prompt is to write a nocturne which is a poem/song about the night. For A to Z Challenge, today’s letter is O for a GoodRead’s quote.
“You don’t have to be dead to leave a legacy. — Onyi Anyado”
I’m going to tell how I lost my inheritance, how my legacy rides in tides as the full moon rises,
How the night stole my humanity and hammered my soul a blow.
The dusk covered the light, liquid tar blanket bestowed,
The sun hid himself away, way down in western wilds of woe.
A sinking feeling settled in and a certain chorus began to ring,
A range of notes, a rising crescendo of riveting lyrical prose.
A poet’s words possessing her, when she knows full well,
The powerful pull of the midnight hour.
And the pressing provocative lure as the moon glows,
A white orb that won’t warble, a strong luminious light,
Residing over all as every full moon does.
To be host over the howling wolves, the healthy youths as they prowl,
The dark delights of the night distend into the dimest parts of every soul.
A choir of banshees brazenly taking souls salaciously, the maids from their beds,
The hour of the demons drawing back to their victims with wet bloody lips;
The incubus raging and awaking the wild within their prey.
And all is a lure, an image not clear, all this is imagined,
All this is frightening, foretold in nightmares.
The affected awake in the morning from the pleasure and pain,
From satisfied appetites, appalling in the dank aptitudes of night.
Night swells and swallows herprey wholly, partaking and doping with her starry glow,
Inviting the worst from the wise, even ill from the innocent.
Yet a moral being cannot mean to say, night has had her way and ‘I’ had no say;
It’s easy to give in with ease, to isolate one’s self to enthralling entertainments, inscribed darkly now on souls.
And what’s done in the night when the moon is full and fat, cannot be told for it stays hidden on those nights, when the wildest ones escape.
The vampires and the wolves, the creatures we know not of, and humans do not stay humble ether — they choose to fly with the fallen.
A nocturne of night will tell you what power presumes to hide beneath an inky black veil,
It’s not pure evil, it’s the usual kind, who chooses to dance with the devil, and forget their choices their choosing for charm and wine.
For tequila and vodka, for him and her, and whisky burning down your throat as the howls of the night combine with a loss of memory;
And we all awake mid-afternoon, no one knowing the peculiarities of such a night, a full out frightening moon.
Only a feeling, a shiver, a prayer, as the moon fades from brilliance, she is trapped, unwillingingly held as she wanes us back into morality.
The light of the sun salutes from the east and all is forgiven in harmony and health, angelic nebulas, skys of blue birds, and Bambi deers galloping.
Woe is the wicked night on the full moon, but how much greater is the morn after malevolence is perpetually destroyed,
Yet oh, how we miss the fun of bliss in the dark — no thoughts, no reason, just acceptance to absorb the pleasures of night’s nocturnal nightmares.
Today’s NaPoWriMo is to “write a poem that explicitly incorporates alliteration (the use of repeated consonant sounds) and assonance (the use of repeated vowel sounds).” For A to Z Challenge the GoodReads quote is from the letter L. As well, thanks to Pricless Joy for hosting FFftAW.
“The thing about love is that you will never run out of it. It’s an ever-flowing river. So go ahead and LOVE. What are you saving all this love for — death?” ― Kamand Kojouri
The river she flows fluent, flourishing in her mad descent,
Rapids, water reeling past rocks leading her to a path of providence.
Fast, and fleet, a river rivaling; I’ve experienced —
On the weary trail, the river cutting, crushing the rocks.
She carves her path, ploughing silt to the shore,
Debris of dramatic, erosion deciding on the the crooked carved path.
The water, she must flow, finding her fabulous spark in the light of —
Lumionous sunlight, searing in the afternoon heat.
For this river runs through the desert, the orange, organic trails,
Mixed with red-rock, rizing in the Arizona afternoon.
Cliffs creating a canyon so deep and wide, where the water dances through.
No one to stop her destruction of rock, her pounding so hard it hurts,
But the river rivals all, keeps on carving her way —
Through the canyon cringing, when she chops off more silt.
Off its brilliant fire, she finds a place where the —
River rests in waterfalls crashing and carniverous,
Then she wanes as she reaches shore and and lays back breathing,
At ease, she is pleased and settles,
Against the sand of some beach, somewhere; she’s oblivious —