“Yes,” she said exasperated. “You know I’m always forgetting it, losing it, or damaging it permanently. Phones don’t like me.”
“I’ve known you twelve years and I’m pretty sure you’ve gone through more than twelve phones.”
Gillian starts to laugh. “Yeah, so true. My Dad would get so upset at me in university. I think I broke like six cell phones.”
I laugh at her memories. “One time you lost your new phone down the sewer. You were crying because you were drunk and wanted to go back for your phone. Melissa and I kept telling you it was gone.”
“Really? I don’t remember that?”
“You wouldn’t,” I tell Gillian giggling. “I had to physically pick you up and place you in the cab. I told the cab driver to ignore your pleas to go back to the bar and I half carried you into Melissa’s apartment where you passed out.”
Gillian giggled, “Those were crazy times. Thank goodness my phone is just on the kitchen counter, not in the sewer.”
Today’s NaPoWriMo prompt is poem type called an elegy – a poem that mourns or honors someone dead or something gone by. Center the elegy on an unusual fact about the person or thing being mourned. ” An elegy generally combines three stages of loss: first there is grief, then praise of the dead one, and finally consolation.” Please see Literary Devices for more information.
I’ve paired this prompt with The A to Z Challenge quote, having the author/quoter’s name begin with the letter C.
——— “We are all the pieces of what we remember. We hold in ourselves the hopes and fears of those who love us. As long as there is love and memory, there is no true loss.” ― CassandraClare, City of Heavenly Fire
Here we gather, today it finally hit —
Me, you won’t be coming back; such grit —
You displayed, at the crux, as death grew near.
There was no “going gently” for you dear.
I always admired that you were strong,
At the finish you groaned your last song.
The pain was so great, it hurt us to see,
A candle flame who flared, flickering free.
Death was not easy, nor was your young life.
But you always shouldered through the strife.
A kind, giving person — philanthropist,
With death, you became a minimalist.
Objects hold memories, the Stone’s song we know —
well: “You Can’t Take It With You When You Go.”
As we remember, we wonder why —
Three-years ago you left, disappeared wide —
Across the world, sending postcards to —
Us all, as you adventured across through —
Every country you could see with no —
Face Time, Skype; we were scared you wouldn’t come —
When Evangeline left home, she didn’t take a cent of the money she had earned playing piano at concerts.
To make a living she learned to play guitar and sing vocals with various bands at ‘hole in the wall’ clubs in L.A. What little money she had she used for voice lessons, rent, and food. She increasingly wrote and sang her own songs.
At twenty-four, Evangeline auditioned for the popular reality TV show, “The Voice.” From the beginning, her talent blew the judges away and she eventually won first place. She called home and invited her mom to come see her final performance for the show.
When Evangeline sat down in front of the grand piano her hands shook above the piano keys. She hadn’t played a piano in three years beyond practising in private for the finale show. She surprised everyone with her skillful piano playing and successful rendition of Justin Timberlake’s “Sexy Back.”
At the end of that night Evangeline hugged her mom. Every ounce of resentment and hate she felt for Ruth in the past had faded. She was also amused when she remembered the priceless expression on her mother’s face, hearing the lyrics to “Sexy Back.”
She was also grateful Ruth had pushed her and provided Evangeline a background as a performer. It gave her an edge as she was now able to pursue her musical talents true to her own choices.
Thanks to Bastet from MindLoveMisery’s Menagerie for hosting Saturday Mix. This week’s prompt is a soliloquy at a train station. I’ll be using blank verse or unrhymed iambic pentameter as the Barddid.
“Imagine a scene, a train is pulling out of the station and a person standing on the platform looking dejected. What can have happened. Perhaps this person is someone in the station wishing to leave but for some reason hasn’t. “
So leaves the train, so leaves my heart,
Why him I once loved, now I know not?
Must have been his eyes so brilliant a green,
Gems such as emeralds, a sea-green storm brewed.
Was it his cavalier smile, his laugh?
With him I felt wanted, weak in the knees.
I was his Queen, he my adoring King.
He cared for me gently, said I shouldn’t stay —
On my own, for he loved me; fooled me,
Underestimated a woman cruelly scorned.
I saw cracks in the vase, facade crumbled,
An artist’s dream of beauty such a fake,
He left, emptied my pockets of money.
This con thinks he’s safe going to Bahamas,
Since he betrayed me, I say differently.
He’ll be doing some flying, and me thinks he’s done.
Thrown off the tallest bridge, out of the train.
“I know that’s what people say– you’ll get over it. I’d say it, too. But I know it’s not true. Oh, you’ll be happy again, never fear. But you won’t forget. Every time you fall in love it will be because something in the man reminds you of him.”
It was difficult living on the farm, being cutt-off from other people when there was a blinding snow storm for days. Marion felt the numbing loneliness deeply and her husband James only amplified her sense of isolation.
They were still a relatively young couple but James made her feel as if she were old, dull, and boring. He barely acknowledged Marion except when he wanted food. He hadn’t actually conversed with Marion for what felt like years.
She observed as James lived alone in his head, always ignoring her attempts to talk. As the harsh winds and snow isolated them in the farmhouse, James isolated Marion in their marriage.
When the blizzard ended, Marion had had enough. She peered at James one last time and left. She drove to the nearest city and caught a flight home.