I considered the colour red. How I’m equally attracted and repelled by it. How I pass by a red v-neck sweater in the right shade, but mix my acrylic colours, blend them until my instincts say stop; stop sign red. No wait . . . a bright cool startling red appears on my canvas. I think this is passion and passion is the boldest red. I think of how I not only crave to paint in vivid red, but in many vivid colours and textures. How I trace the feeling of layered paints with my fingers, and hunger for other colours with my eyes – blue, green, and purple. Though I adore all these colours, my favourite paintings are all in red.
As with my love for sexy heels, which I adore in red too. If red is passion, what more can I say about women and sensuality then red shoes. They’re expression and fierceness. Like Kelly Picklers song “Red High Heels” — “I’m about to show you just how missing me feels, in my red high heels . . .” Red for revenge, red for moving on, red for love. But I hate red for love, it’s memory is sickening. He looked good in that colour – almost the best.
Yet red is so many things more. It’s anger, hate, rage, hurt, demons dreaming — the beast inside who does not die. Red is sinful, delicious, and deadly. It’s sex and power; a primilness. It’s royalty and blood, red blood spilled for in the body it’s blue (hence bluebloods). I love how classic red is — nothing more classic then a cat eye and red Bridget Bardot lips. Nothing as classic as red Mustang.
I don’t wear red, the colour outshines me and doesn’t fit with such pale skin and blond hair. Please no red dress – I’d rather blend in and be a classic black or navy dress cut perfectly. But I seek out bits of red and cling to them, not wanting red to blind me. Only some sparkle and razzle dazzle to hold in my hand. Red nail polish is beautiful, with a bit of bling Red as some of the lights in Las Vegas and red fireworks; red stoplights.
Red is perplexing because it’s complex, not simple at all. Red is nationalism and red is internationalism. It’s a proud Canadian colour and I don’t mind wearing it on our Nation’s Birthday. Or cheering on our Canadian hockey teams in the Olympics and junior hockey.
As well, roses are so divine, so deadly pricking your finger. Red, passion and pain. Together swirled these colours of red, of love, and hate collide. There are many shades of grey, but even more shades of red. It’s more than a primary colour it calls as a siren, “Look see me.” No one hides in red. Red cars are often caught barely speeding and Red is a theme of many songs albums as in “Red” as T. swifts song and album and the Beatles album “Redone.” Red as “My love is like a red red rose.” Some choral song I cannot recall.
But I’m sitting here, music blaring trying to decide what to paint. I’ve that special shade of red and it’s mixing and melding with other colours. Shades and tones. I see, red on my canvas and it bleeds. Red blood, blood . . .life, the most prolific association. Red is blood. Blood is life. Red such as poppies, that we must always remember. Red for anger, red for hate, for war. Red to hurt, poor the droplets down a crystal glass. Red red wine. To drink away the blood and crippling thoughts. Red to forget. I like a Malbec with bite. A Zinfandel to make me chatty. A Merlot or Cav-Sav with some friends. Red sangria is delicious. Red strawberry margaritas because there’s real fire in tequila. Red is too many things, too symbolic, too self-contradictory. Red is life.
Thanks to MindLoveMisery’s Menagerie for hosting this month’s fairy Tale prompt. The prompt is: “imagine an evil force be it witch or some other dark force has cast a spell on you. What form does the spell take, are you frozen in time as in the above image? Are you cursed in a different way?”
Berjlot was a pretty girl with her father’s white-blond hair and her mother’s curls. She also had her mother’s mysterious green-eyes and delighted the entire viking village with her presence.
Asta, Berljot’s mother, had been in labour for hours the night Berjlot was born. The baby wouldn’t come out so Astab finally told her husband Bjarke that he must allow the midwife to cut her belly open and save their babe.
Bjarke felt great pain in his heart when his wife asked him to do allow the midwife to cut the baby out. But he knew he could not lose both Asta and the baby and survive himself.
Cutting the baby out (a much worse version of a c-section) was newer concept which the village midwife had suggested hesitantly. There wasn’t anything to help Asta from the pain but some whiskey. She drank all she could and screamed in pain as her baby Berjlot was born.
Asta named her child Berjlot or “Light will save,” and soft light was exactly what Asta saw as she entered Valhalla. She bled out before the midwife could attempt to stitch her up. Chances were Asta would have died from infection anyways.
Bjarke held his little girl Berjlot proudly. She was his and Asta’s last child, her four-older brother’s were nearly men. But the baby girl was a light to her father and helped him survive the loss of his wife Asta (“divine beauty”).
Bjarke whose name meant “bear” was indeed, built like a bear and so were his four sons. They helped their father fell logs. Bjarke was now considered an older man and he would need the help of his son’s to survive.
He had a been a great ship builder but was now arthritic and in pain. He spent most of his time keeping his eye on little Berjlot who spent her days enchanting those around her, a light to the entire community.
Some of the other women taught Berjlot the necessities of life as a viking woman. Berljot seemed to easily learn how to sew and cooked delicious meals. She also helped with the shearing of sheep and weaving clothe.
Berjlot’s mother Asta, had also been an accomplished artisan so Berjlot learned the craft of jewelry making from an old women in the village named Ragna (“giving advice”).
As well as crafting fine jewelry, Ragna was a medicine women and a pagan witch. Most people were afraid to be near her but Berjlot had no choice as she was the only other women who knew her mother Asta’s craft of jewelry making.
She was a talented girl and Ragna, seeing her youth, beauty, and the skill with which Berjlot seemed to accomplish every task, became seethingly jealous of the girl. Even at her young age and artisan skill level, Berljot’s jewelry was sought after.
She was only ten-summers but Ragna was envious of the girl she knew would grow up to be a beautiful woman and likely out rank her being from a powerful family.
The witch had always despised the girl’s mother Asta for her goddess-like beauty and her gift of creating beautiful jewelry of better quality than Ragna’s designs.
One day when Berjlot had a cough, Ragna, playing the kindly old woman she always played around Berjlot said to her:
“Poor dear, I will make you a potion which will rid of you of your awful cough. We can’t have it get into your lungs. Bjarke would be devastated if he lost his only daughter.”
Berjlot accepted the purplish potion Ragna wanted her to drink. It smelled awful and smoke whirled from the earthen cup but the girl drank the potion trusting Ragna as her Oma.
Suddenly, Berjlot hiccuped. She felt a strange sensation as her body changed from that of girl into a stunning light-haired wolf. She knew her father and brothers would never recognize her in this form and so did Ragna.
Berjlot cried the tears of a wolf and old Ragna laughed at her. She made it appear as if a wolf had eaten Berjlot.
“Bjarke,” Ragna cried. “A light-haired wolf ate your daughter. See? I have her bloodied and torn dress here. There was nothing I could do.” Ragna wept and made it appear as if she was broken-hearted at losing Berjlot.
Bjarke was devastated. Berjlot was the light of his life and his health failed rapidly after losing his daughter. He was soon set out down the nearby river in his funeral pier set aflame to join his wife Asta.
Bjarke’s oldest son Dag took over the boat building business with his three brothers and his best friend Asmund (“Divine Protection”). After they had spent time in mourning for their father they and the other men from their settlement, went into the woods and destroyed all the wolves they could find –even the pups. They never forgot about their little sister Berjlot who had brought such joy wherever she went.
Eight-years passed. Dag, his three brothers, and Asmund were prosperous men in their viking community building ships and amassing a great amount of land and wealth. Asmund, in particular, was considered a fine catch for marriage but had not found a wife to his liking; Dag and his brothers had already married well.
Asmund was out walking in the forest one night when he saw the most striking female wolf beneath a tree in the moonlight. She had mossy green-eyes which were extremely unusual for a wild animal such as a wolf.
He was surprised when the wolf jumped on him when he wasn’t paying attention. He was set to bring his small ax down on the wolf when she lay down on top of him gently and peered at him with sad eyes. She talked as wolves did, pawing at him, trying to get Asmund to understand something through her barks. He laughed and petted the beautiful wolf as she slept on him.
The next morning Asmund awoke and the wolf was gone. He thought he’d only dreamed of her. When he went for a walk in the forest several nights later, he again saw the same beautiful wolf.
She playfully tackled him to the ground and barked at him, trying to make him understand her wolf song. When that failed, she lay her head beneath his chin, and slept on top of him as before.
The light-haired and green-eyed wolf barked and slept with Asmund every night he came out into the woods, always burying her nose under his chin.
One night, Ragna the old witch noticed Asmund asleep with the wolf she knew was Berjlot, snuggled half on top of him. The witch plotted to kill Berjlot once and for all and told Berjlot’s oldest brother Dag about the strange looking wolf she’d seen around the forest.
Dag and his younger brothers went to find and kill Berjlot the following night with Asmund. But when they found the wolf with the light-fur and moss green- eyes, Asmund begged them not to kill her.
He told Dag the light-haired wolf had become his pet and was docile. Berjlot approached her brother Dag and bowed, she did any trick her brother or his bestfriend Asmund told her to do.
When wicked Ragna saw the brothers had not killed Berjlot in wolf form (and instead, were going to adopt her as a kind of pet) she ran out to kill Berjlot with her sharpest knife. Ragna poisoned the tip of the knife so even if it nicked Berjlot the wolf, it would kill her.
Dag, his three brothers, and Asmund were shocked to see the old witch after the wolf they had befriended. They caught and disarmed Ragna before she harmed the wolf. When Ragna was disarmed she turned to run back to her cottage but Berjlot jumped on her, tearing out the witches throat.
Immediately, the light-haired green-eyed wolf turned into a young woman of about eighteen. She was beautiful with her long wavy-blond hair, exotic green eyes, and white skin. Dag’s three younger brothers immediately recognized their sister from her moss green-eyes.
“Berjlot is that you?” They asked, overjoyed to see their sister alive.
“Yes it’s me,”Berjlot said crying. She hugged her brothers, including Dag. They were a bit sensitive about her being naked with Asmund around. He generously gave Berjlot his cloak to cover herself with.
“The witch Ragna pretended to be my Oma,” she told the men gathered. “Ragna was jealous that I was prettier than her, and that our mother Asta was prettier than her too. She hated that I did all my tasks well, especially jewelry making. When I had a cough, she gave me a steaming purple potion. I trusted her and drank the potion and she turned me into a wolf.”
“That’s terrible,” Dag shouted, angry for his sister. “Your death is the reason our father became ill and died. I’m sure the gods are pleased you ripped out the witch’s throat.”
Berjlot sobbed upon hearing about her father’s death. When Asmund comforted her with a hand on her shoulder, she looked up at him with adoration in her eyes.
“I was almost killed when the men from the village wiped out all the wolves but somehow I thrived, even as a wolf. I thought I would always be a wolf until I saw Asmund one night.” Berjlot blushed when she said Asmund’s name.
“Each night Asmund came out to the forest, I pounced on him and tried to tell him what happened to me, but my words only came out as barks or noises as a dog would make. But he kept coming back almost every night and I slept with my nose snuggled beneath his chin.”
“Is this true?” Dag asked his best friend whose face reddened when he gazed at Berjlot in his cloak.
“Yes, it’s true,” Asmund admitted. “I fell for Berjlot. Somehow the gods made me see how noble and beautiful she was even as a wolf. She’s an even more beautiful woman then she was a wolf.”
“I would be honored if you would allow your best friend and partner in business, to be a husband to your beloved sister,” Asmund asked. To him Berjlot was a light he could not live without in his life. He loved her as a wolf and more so as a woman.
Dag and his brother’s huddled together talking while Berjlot stared anxiously at Asmund. She came up to him and snuggled her head beneath his chin, showing her affection and gaining Asmund’s comfort.
“At last, I get to see you in my human form,” Berjlot told Asmund. Both lovers were overcome and wanted to do much more than stand not touching but for Berjlot’s hair cushioning Asmund’s chin.
Dag and his three other brother’s broke from their meeting with happiness. They agreed Asmund would be the perfect husband for their sister because he loved her and watched out for her, even when she was only a beautiful wolf. Thus, they set the betrothal date to that moment and day.
Asmund offered up sheep for wool and jewels as a dowry for Berjlot and they married in a magnificent ceremony in the village. The gods had allowed Berjlot to return from the dead and for two powerful families to be joined in marriage with days of feasting and celebration for the whole community.
Both Asmund and Berjlot lived happily ever after (as best as you could in that time and place).
The Octain, full name Octain Refrain, is a form of poetry developed by English poet Luke Prater in December 2010.
It comprises eight lines as two tercets and a couplet, either as octosyllables (counting eight syllables per line), or as iambic tetrameter, whichever is preferable. Trochaic tetrameter also acceptable.
The latter yields a more propulsive rhythm, as opposed to iambs, which lilt. As the name suggests, the first line is a refrain, repeated as the last (some variation of refrain acceptable). Rhyme-scheme as follows –
A -b – b
a-c/c – a
A is the refrain
c/c is a midline internal rhyme.
A High Octain or Double Octain is simply two Octains in one poem with a rhyme scheme of:
A – b – b – a – c/c – a – b – A
A – b – b – a – d/d – a – b – A
I’m doing a high Octain. Octains are usually done in 8 syllables.
“I feel overdressed, ” Shannon told Aubrey. Both girls were dressed in silky cocktail gowns and wore sparkly stiletto sandals. Shannon had even worn her Mother’s diamond earring and Aubrey’s her Grandma’s emerald cuff.
Aubrey gazed around the restaurant. Most people were dressed in jeans and the odd person wore professional attire.
“My Grandma told me this was a fancy restaurant,” Aubrey sputtered. “She dresses in her finest when she comes here. She showed me the mink coat she wears over a long gown.”
“Well, whatever . . .” Shannon said. She flounced up to the hot maitre’d and told him they had reservations for two. The maitre’d devoured both girls with his eyes and grinned.
“What’s the special occasion ladies?”
“Oh, we’re here for supper and then out to the Opera, Carman.” Aubrey told the maitre’d who kept staring at her.
“No one dresses up anymore here, or at the Opera. It’s refreshing to see you two in cocktail dresses. Jeans are worn for most any occasion these days.” The maitre’d said flirting with Aubrey.
Shannon laughed. “Do you ever get an elderly woman here wearing a mink coat? She’s probably more overdressed than us?”
The maitre’d chuckled. “Mrs. Reston, she comes here every Sunday covered in her diamonds and furs.”
Aubrey grinned. “Yep. That’s my Grandma.”
Thanks to Priceless Joy for hosting FFftAW. She’s a wonderful lady and we are always happy to have you join us!
And last, but not least, our prompt (optional, as always). Today, I’d like to challenge you to write a poem that incorporates a call and response. Calls-and-responses are used in many sermons and hymns (and also in sea chanties!), in which the preacher or singer asks a question or makes an exclamation, and the audience responds with a specific, pre-determined response. (Think: Can I get an amen?, to which the response is AMEN!.). You might think of the response as a sort of refrain or chorus that comes up repeatedly, while the call can vary slightly each time it is used. Here’s a sea chanty example:
The Mirrored Refrain is rhyming verse form constructed by Stephanie Repnyek. The poem is formed by three or more quatrains where two lines within the quatrain are the “mirrored refrain” or alternating refrain.The rhyme scheme is as follows: xaBA, xbAB, xaBA, xbAB, etc.. x represents the only lines that do not rhyme within the poem. A and B represent the refrain. The first four stanzas of the example poem are labeled for better understanding.
Please see Shadow Poetry for more information on this poetry type.