Thanks to MindLoveMisery’s Menagerie for the Saturday Mix challenge. I chose the three words: collector, approach, and anchor for the Abecedary challenge. The NaPoWriMo prompt is “to write a poem that incorporates neologisms or a made-up word! Your neologisms could be portmanteaus (basically, a word made from combining two existing words, like “motel” coming from “motor” and “hotel”) or they could be words invented entirely for their sound. Probably the most famous example of a poem incorporating neologisms is Lewis Carroll’s Jabberwocky, but neologisms don’t have to be funny or used in the service of humor.” For A to Z Challenge the letter P will be used for the GoodRead’s quote.
“When it comes to memories, the good and the bad never balance.” ― Jodi Picoult, Handle with Care
Thanks to Dylan of MindLoveMisery’s Menagerie‘a First Line Friday Prompt. The first line from last Friday was: “I’m going to tell you how I lost my inheritance.” For NaPoWriMo the prompt is to write a nocturne which is a poem/song about the night. For A to Z Challenge, today’s letter is O for a GoodRead’s quote.
“You don’t have to be dead to leave a legacy. — Onyi Anyado”
I’m going to tell how I lost my inheritance, how my legacy rides in tides as the full moon rises,
How the night stole my humanity and hammered my soul a blow.
The dusk covered the light, liquid tar blanket bestowed,
The sun hid himself away, way down in western wilds of woe.
A sinking feeling settled in and a certain chorus began to ring,
A range of notes, a rising crescendo of riveting lyrical prose.
A poet’s words possessing her, when she knows full well,
The powerful pull of the midnight hour.
And the pressing provocative lure as the moon glows,
A white orb that won’t warble, a strong luminious light,
Residing over all as every full moon does.
To be host over the howling wolves, the healthy youths as they prowl,
The dark delights of the night distend into the dimest parts of every soul.
A choir of banshees brazenly taking souls salaciously, the maids from their beds,
The hour of the demons drawing back to their victims with wet bloody lips;
The incubus raging and awaking the wild within their prey.
And all is a lure, an image not clear, all this is imagined,
All this is frightening, foretold in nightmares.
The affected awake in the morning from the pleasure and pain,
From satisfied appetites, appalling in the dank aptitudes of night.
Night swells and swallows herprey wholly, partaking and doping with her starry glow,
Inviting the worst from the wise, even ill from the innocent.
Yet a moral being cannot mean to say, night has had her way and ‘I’ had no say;
It’s easy to give in with ease, to isolate one’s self to enthralling entertainments, inscribed darkly now on souls.
And what’s done in the night when the moon is full and fat, cannot be told for it stays hidden on those nights, when the wildest ones escape.
The vampires and the wolves, the creatures we know not of, and humans do not stay humble ether — they choose to fly with the fallen.
A nocturne of night will tell you what power presumes to hide beneath an inky black veil,
It’s not pure evil, it’s the usual kind, who chooses to dance with the devil, and forget their choices their choosing for charm and wine.
For tequila and vodka, for him and her, and whisky burning down your throat as the howls of the night combine with a loss of memory;
And we all awake mid-afternoon, no one knowing the peculiarities of such a night, a full out frightening moon.
Only a feeling, a shiver, a prayer, as the moon fades from brilliance, she is trapped, unwillingingly held as she wanes us back into morality.
The light of the sun salutes from the east and all is forgiven in harmony and health, angelic nebulas, skys of blue birds, and Bambi deers galloping.
Woe is the wicked night on the full moon, but how much greater is the morn after malevolence is perpetually destroyed,
Yet oh, how we miss the fun of bliss in the dark — no thoughts, no reason, just acceptance to absorb the pleasures of night’s nocturnal nightmares.
At this early hour the sky is grey and misty. Fog creeps across the water hiding its blue-green brilliance. The mist veils all, yet in the distance, luminous rays of sunlight glance across the sky. I can see the mist disappate as the eastern sunlight envelopes the gray with golden rays, paint strokes of orange and pink.
The robins tweet joyfully and the trees are bursting with green buds, the promise of white blossoms soon. I’m enthralled by the dawn and the once dank becoming intensly vivid. Something inside me relaxes as morning awakes. It feels as if I’m in the middle of an impressionist sunrise.
” ‘Created by Emily Romano, the brevette consists of a subject (noun), verb, and object (noun), in this exact order. The verb shows an ongoing action – so the letters in the verb should be spaced out. There are only three words in the poem.
Each of the three words may have any number of syllables, but it is desirable that the poem have balance in the choice of these words. Unlike haiku, there are no other rules to follow.'”
“Clementine anxiously waited for the 5:40 out of the city, wondering if he would be on board.” It head been two-years since she’d seen Philip. He’d been sent out to fight the Nazis in France. She’d faithfully written to him but Philip hadn’t been able to send many letters back.
After the harrowing footage she’d seen of soldiers fighting on the beaches of Normandy, Clementine wondered if her Philip would be himself; how could he? The train arrived and she continued waiting.
Seconds later Philip was holding her so tightly she couldn’t breath. He cried into her neck,”I thought I’d never see you again.”
“I had no doubt you would,” Clementine whispered back, stroking Philip’s hair as his tears dried.
It was almost as if he’d never been gone; in each other’s arms, they were both home.
“I had never been summoned to Number 208 [by the park] before; I nervously adjusted my coat . . .” A person could book a pick-up online or by phoning into FedEx but you couldn’t summon a particular delivery person, could you?
“April, it means what I said,” Becky from the warehouse told me on the phone, “I’m not being rude, the lady who lives there wanted you, specifically, at her home.”
The door was open when I arrived. “I’m here,” a frail female voice rasped.
Walking into the house I heard the respirations of a woman on a ventilator. She was all hollows and sallow skin. Her hair was whispy white and thinning. Eyes the color of blue-bells greeted me but they were bloodshot.
The woman grasped a yellow envelope with a trembling hand. She shook the envelope and a key dropped out.
Her shaking fingers held it out, “For me?” I asked.
I took the key staring at it in confusion; it appeared ancient. As I examined it I heard the woman gasp something. I moved closer to her and held her hand attempting to hear her strained voice. She shook her head with a ragged sigh and breathed her last.
Great green leafy trees are reflected on the lagoons glimmering surface. High above the actual trees dance in the breeze, drooping, almost as if to kiss the water with their branches. On the shore are large rocks which I take and skip across the lagoon. The mermaids will love me for this.
I continue to skip rocks until a few lovely mermaids pop their heads out of the forest lagoon and give me dirty looks. They hope it’s Peter, but when they see it’s only Peter’s shadow, they roll their eyes diving back under the water beneath the lillypads and floating flowers.
No one anywhere thinks much of a shadow and they don’t realize shadows are beings too. So the mischief in me has unsewn myself from Peter Pan. He’s been chasing me all day but I’m quicker and smarter than he. It’s why I decided he should take a trip home to a little girl I fancy; she is called Wendy.