Today’s NaPoWriMo prompt is to write a poem using “Skeltonic verse. . . [which] gets its name from John Skelton, who used short stanzas with irregular meter, but two strong stresses per line (otherwise know as “dipodic” or “two-footed” verse).The lines rhyme, but there’s not a rhyme scheme. The poet simply rhymes against one word until he or she gets bored and moves on to another.” For A to Z Challenge the GoodReads quote has the letter Y. Also, I’m using the Flash Fiction for the Aspiring Writer Prompt and thanks to Priceless Joy for that.
I’ve always sucked at games of chance. Always hated them for that reason.” ― Rick Yancey, The Infinite Sea
Today’s NaPoWriMo prompt is a “challenge . . . to write a poem that explores your sense of taste! This could be a poem about food, or wine, or even the oddly metallic sensation of a snowflake on your tongue.” Also thanks to Alistair Forbes for hosting Sunday Photo Fiction. For the A to Z Challenge, today’s GoodRead’s letter is the letter X.
“I could recognise his soul in mine as much as he could find me in his. Our sole existences seemed to have been for this very moment when nothing else mattered.” — X. Williamson (Distract My Hunger)
They air outside was warm, the taste of spring sprung,
Lilacs on my lips, flavor of crisp leaves.
In the garden, scent of spring on my tongue.
The air outside was warm, the taste of spring sprung.
Inhaling soft florals, fragrance in my lungs.
Breathing in and out, tastes chase what I’m grieving.
The air outside was warm, the taste of spring sprung,
Thanks to Bikurgurl for hosting last week’s #100WordWednesday flashfiction prompt. Today’s NaPoWriMo prompt is “to write a poem of ekphrasis — that is, a poem inspired by a work of art.” The A to Z Challenge GoodRead’s Prompt begins with the letter U.
“To write is to forget. Literature is the most agreeable way of ignoring life. Music soothes, the visual arts exhilarates, the performing arts (such as acting and dance) entertain. Literature, however, retreats from life by turning in into slumber. The other arts make no such retreat— some because they use visible and hence vital formulas, others because they live from human life itself.
― Fernando Pessoa, The Book of Disquiet”
(Sorry finding a Q name for this piece impossible but there is Q in Disquiet!)
The photograph is lovely at first,
A brilliant blue sky, soft winds of cool breezes,
The Atlantic still icy, but forgiving.
Trees rise and guard the home, the lighthouse,
Ancient ones in slumber as spring yet approaches.
Rock walls prevent a fall below, to the unforgiving chill.
Hypothermia comes quickly here,
But the scenery makes up for the inherent danger.
Bright pink of the house stands out and the tower above matches,
Glows in the night when the boats pass by,
Protecting and guiding ships.
The long grass still waiting to be verdent,
Not dry crumpled straw.
And the owners of the house are silent, keeping to themselves,
Their only sense of existing, is the light that glares, when outside the tower is dark.
Spring is slowly birthing, but the ocean’s still freezing,
And the danger is too real for ships too close.
And a stranger walking watches from the dim,
Holding back a dog barking in madness.
The bulb has burnt out, now disaster is unhinged,
The ship clips the cliff, the house crumbles and the ship sinks,
Screams in the night, in the Atlantic’ waters cold numbness.
And when all is said and done, only the lighthouse stands,
With a burnt out bulb of fault.
How can this photograph be a work of art?
Is there art in dying?
Or is art and death as a perception, to ambigious to be real?
Thanks to Alistair Forbes for hosting Sunday Photo Fiction. Today’s NaPoWriMo prompt is to “write a poem that incorporates the vocabulary and imagery of a specific sport or game.” The A to Z Challenge GoodReads quote author’s name begins with the letter Q.
“Time present and time past are both perhaps present in time future. And time future contained in time past.” ― T.S. Eliot, Four Quartets
Today’s NaPoWriMo prompt is to recreate a myth in a poem. The A to Z Challenge quote from GoodReads has an author with a P in their name. Also, thank you to Bikurgurl for hosting last week’s #100WordWednesday.
” I moan with pleasure.
“Did you just have a foodgasm?” he asks, wiping ricotta from his lips.
“Where have you been all my life?” I ask the beautiful panini.”
― Stephanie Perkins, Anna and the French Kiss
There are those who believe the Greek gods left,
Went away, didn’t return, disappeared.
Where there was greed, pride, avarice, lust, and war,
There was no longer, because these gods were,
Never gods, more like spoiled children who were —
Tolerated for a while until the —
God who is the God, decide that they,
Need find another place to play, beyond —
Olympus, and Athens, and Rome — and then,
Came the Popes and the Cardinals, more sin.
They had always been there, but now they —
We’re warriors and wise men, judges and —
The Greco-Roman gods and goddesses,
We’re invisible, ethereal, just air.
It’s what becomes of beings that ‘are,’
But aren’t real, they’re missing a certain —
Quality that means that in some form they’re —
Alive; full of heart, blood, bone, marrow, soul.
But these gods were but mythology so they,
Faded as much mythology does.
Legends of all kinds and all cultures who
Have been, before and after them, or so —
I was told, ’til I began to see such surreal —
Things in town, at dinner talking with —
My dad, about life, and school and then,
Beside us was this old man; and his eyes,
We’re blue and twinkled, he had such,
Vigor for his age, he smiled at me while he —
Talked to his friends, other gods he said.
Not the God, but gods, he said who had been,
To me they were all invisible; he said —
Long ago in Greece and Rome, he was king.
As Zeus or Jupiter, but now they —
All blended into humans, they had their —
Special places where they could go, greeting —
Their old friends and eating what gods do.
He ate panini, talking loudly,
Today it was Aphrodite, he also —
Said he was eating Ambrosia, the food,
Gods required, and an extra plate lay,
Near his hand, licked clean; he said that his son,
Thanks to MindLoveMisery’s Menagerie for the Saturday Mix challenge. I chose the three words: collector, approach, and anchor for the Abecedary challenge. The NaPoWriMo prompt is “to write a poem that incorporates neologisms or a made-up word! Your neologisms could be portmanteaus (basically, a word made from combining two existing words, like “motel” coming from “motor” and “hotel”) or they could be words invented entirely for their sound. Probably the most famous example of a poem incorporating neologisms is Lewis Carroll’s Jabberwocky, but neologisms don’t have to be funny or used in the service of humor.” For A to Z Challenge the letter P will be used for the GoodRead’s quote.
“When it comes to memories, the good and the bad never balance.” ― Jodi Picoult, Handle with Care
Thanks to Dylan of MindLoveMisery’s Menagerie‘a First Line Friday Prompt. The first line from last Friday was: “I’m going to tell you how I lost my inheritance.” For NaPoWriMo the prompt is to write a nocturne which is a poem/song about the night. For A to Z Challenge, today’s letter is O for a GoodRead’s quote.
“You don’t have to be dead to leave a legacy. — Onyi Anyado”
I’m going to tell how I lost my inheritance, how my legacy rides in tides as the full moon rises,
How the night stole my humanity and hammered my soul a blow.
The dusk covered the light, liquid tar blanket bestowed,
The sun hid himself away, way down in western wilds of woe.
A sinking feeling settled in and a certain chorus began to ring,
A range of notes, a rising crescendo of riveting lyrical prose.
A poet’s words possessing her, when she knows full well,
The powerful pull of the midnight hour.
And the pressing provocative lure as the moon glows,
A white orb that won’t warble, a strong luminious light,
Residing over all as every full moon does.
To be host over the howling wolves, the healthy youths as they prowl,
The dark delights of the night distend into the dimest parts of every soul.
A choir of banshees brazenly taking souls salaciously, the maids from their beds,
The hour of the demons drawing back to their victims with wet bloody lips;
The incubus raging and awaking the wild within their prey.
And all is a lure, an image not clear, all this is imagined,
All this is frightening, foretold in nightmares.
The affected awake in the morning from the pleasure and pain,
From satisfied appetites, appalling in the dank aptitudes of night.
Night swells and swallows herprey wholly, partaking and doping with her starry glow,
Inviting the worst from the wise, even ill from the innocent.
Yet a moral being cannot mean to say, night has had her way and ‘I’ had no say;
It’s easy to give in with ease, to isolate one’s self to enthralling entertainments, inscribed darkly now on souls.
And what’s done in the night when the moon is full and fat, cannot be told for it stays hidden on those nights, when the wildest ones escape.
The vampires and the wolves, the creatures we know not of, and humans do not stay humble ether — they choose to fly with the fallen.
A nocturne of night will tell you what power presumes to hide beneath an inky black veil,
It’s not pure evil, it’s the usual kind, who chooses to dance with the devil, and forget their choices their choosing for charm and wine.
For tequila and vodka, for him and her, and whisky burning down your throat as the howls of the night combine with a loss of memory;
And we all awake mid-afternoon, no one knowing the peculiarities of such a night, a full out frightening moon.
Only a feeling, a shiver, a prayer, as the moon fades from brilliance, she is trapped, unwillingingly held as she wanes us back into morality.
The light of the sun salutes from the east and all is forgiven in harmony and health, angelic nebulas, skys of blue birds, and Bambi deers galloping.
Woe is the wicked night on the full moon, but how much greater is the morn after malevolence is perpetually destroyed,
Yet oh, how we miss the fun of bliss in the dark — no thoughts, no reason, just acceptance to absorb the pleasures of night’s nocturnal nightmares.
Oh, little lamb so marked for slaughter, with downy wool and bleating softly. Why do you release your life so easily, so innocent, not knowing you are meant to eat. Oh, silent babes, I understand now — it’s not you who die but the GoodShepard who lays down his life for his sheep; his flock he knows and marks them well, his own blood the price paid, the enemy felled.
Today’s NaPoWriMo prompt is to ” take your inspiration, like our featured interviewee did in the chapbook she co-authored with Ross Gay, from the act of letter-writing. Your poem can be in the form of a letter to a person, place, or thing, or in the form of a back-and-forth correspondence.” The A to Z Challenge letter is O for GoodRead’s quotes and I’m combing these prompts with Roger Shipp’s FFftPP.
“These bits of paper are covered with lies. They poison your minds. And so long as they exist, you cannot hope to see the world as it truly is.(…)You turn to them for answers and salvation. (…) You rely more upon them than upon yourselves. This makes you weak and stupid. You trust in words. Drops of ink. Do you ever stop to think of who put them there? Or why? No. You simply accept their words without question. And what if those words speak falsely, as they often do? This is dangerous.”
― Oliver Bowden, Assassin’s Creed: The Secret Crusade