For NaPoWriMo Day 1, the prompt is below:
“For our first (optional) prompt, let’s take our cue from O’Neil’s poem, and write poems that provide the reader with instructions on how to do something. It can be a sort of recipe, like O’Neil’s poem. Or you could try to play on the notorious unreliability of instructional manuals (if you’ve ever tried to put IKEA furniture together, you know what I mean). You could even write a dis-instruction poem, that tells the reader how not to do something. This well-known poem by John Ashbery may provide you with some additional inspiration.”
Credit: Luis Quintero via Unsplash
I can’t instruct you with fine words to write,
Those have to gravitate from inside you.
I can’t make you sit, inspire you to jot,
You know what’s good writing, take quiet pause.
Perhaps, you’ll dream as the daylight expires.
Perhaps, you’ll save rhymes for a moment’s time.
I can’t force your words by pen or keyboard,
You must decide, set aside seconds — write.
All the prompts in the world won’t bring fame,
You’ll have to practice every day and night.
Despite exhaustion, sleeplessness, family;
You’ll scribble ideas, create stories.
Or grab your phone, fingers tapping sweet tunes;
Let each note inside you burn to live, breathe.
I can’t shove you each day, candle light’s best;
But, sunlight burns too, when inner words seethe.
I can’t correct all your grammar, you’ll not see —
These ‘niggly ‘ errors you once thought were not.
Not anything series ’til you learned.
Now, each line has value; each mistake irks.
But, until you ripped apart each sentence,
You never caught on — adverbs are poison.
Now past words, are awash with repentance.
So, now I leave you writer-child make space,
For my words, themselves, must tumble forth in haste.
We’re all hiking paths together –comment.
We all rock with troubled gasps, when the keys —
To our vivid imaginations hide.
When our characters that gloried, us demean;
When our plots tangle, webs weave and muddle,
But we’re all here, write awhile, choose to dream.
A L’Arora, a form created by Laura Lamarca, consists of 8-lined stanzas. The rhyme scheme for this form is a, b, c, d, e, f, g, f with no syllable count per line. The minimum length for the poem is 4 stanzas with no maximum length stipulation. The A L’Arora is named after Laura Lamarca as “La” is her signature. “Aurora” is Italian and means “dawn” – “Arora” is derived from this. This form is dedicated to Chad Edwards.
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